Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Latest Publication: The Merman in Hiding

Merman in Hiding is now available on Amazon. 

Priest-detectives Rhys and Lider are currently on Earth. A family of Siphons or merpeople need them to locate a young man, Brae. The family believes Brae was kidnapped by another Siphon family to forcibly resolve a breach of promise suit.

As Rhys and Lider interrogate religious disciples, pharmaceutical representatives, and ex-lovers, they come to believe that Brae's disappearance encompasses something more  irrevocable than a broken heart. 

Rhys and Lider must discover Brae's whereabouts quickly since they are faced with an irrevocable choice of their own--and their future together.

Merman in Hiding is Book 3 in the Myths Endure on Mars Rhys & Lider Detective series. Anubis on Mars and Saint of Mars are available in one volume. The Wolf Boy Returns from Space is currently available as a single book.

The books follow a chronology. They do not have to be read in order.

I thank my brother Eugene here for his sci-fi suggestions. Any "good" science in these novellas (which are mostly story) is due to Eugene. Any dumb science is all on me. 
 
I also want to thank my brother Joe for discussing the philosophical and practical arguments that crop up in the final confrontation scenes at the end of the novella (think nutty psychologists in the early 20th century carrying out entirely unethical experiments). As with Eugene, any of the stronger arguments are due to Joe. Any "holes" in the arguments are mostly due to my characters (since certain characters would make certain kinds of arguments).     

The Wolf Boy Returns from Space: Published September 7th!

The Wolf Boy Returns from Space is part of the Myths Endure on Mars series.

Panfilo ended up on the Mars Space Station when his adoptive parents kidnapped him from Earth.

He doesn't resent his relocation. He doesn't resent being ejected from Mars when his wolf-like nature is discovered. He doesn't resent being raised by a human clone and his mate.

He does rather resent being almost assassinated.

The assassination attempt on Panfilo motivates him and his guardians to delve into Panfilo's origins. Is he alien? How is he connected to Earth's history? Why do some humans and humanoid aliens fear him? Why do others wish to follow him?

The search takes Panfilo, his guardians, and his investigators--Monseigneur Rhys and Canon Lider--to Earth and ultimately to negotiations between Panfilo and a powerful monarch. Before he can undertake those negotiations, the teenage Panfilo needs to figure out, Who exactly am I?

The Wolf Boy Returns from Space is a Rhys and Lider detective novel. It is the most recent book in the Myths Endure in Mars series. It references characters and events in other books but can be read separately.

Myths Endure on Mars

The Myths Endure on Mars series includes Anubis on Mars, Saint of Mars, Ithax's Offspring in Space, Nerites Amid the Stars, The Serpentine History of the Saint (May 2024) and Wolf Boy Returns from Space (September 2024). The novellas follow a chronological order though each book can be read separately.  

Series in Chronological Order

Incubus Lider wants a greater purpose in life than feeding off boring human sex dreams. Catholic priest Rhys wants his own incubus.

Unexpected companions, Lider and Rhys travel to Mars on the same ship as a new religious sect. The sect, which follows ancient Egyptian creeds alongside ongoing prophetic revelations, hopes to create an exclusive community on Mars. That plan is challenged by assault and possible murder within the sect's upper ranks.

Rhys convinces the authorities to let him investigate with his invisible partner, who can enter dreams and memories. He and Lider descend to Mars, where they discover a crime that belongs in myth. 
 
Anubis on Mars is the first book in the Myths Endure on Mars series. It introduces detectives Rhys and Lider.

Anubis on Mars is available on Amazon. 
 
* * *

 
Monseigneur Rhys and his Cubus, Lider, detectives from Anubis on Mars, investigate another murder when their aid is sought by a Devil's Advocate, Francesca Paraclete.


A Mars citizen is being considered for sainthood. The process of canonization is proceeding smoothly--until it turns up unexpected historical details, angry relatives, and a sudden death. The death could derail the process. Or it could be entirely unconnected.

Frankie needs Rhys and Lider's help. She isn't sure she can trust her own investigators. She isn't sure she can trust Mars citizens. And she isn't sure she can trust the invisible spy or Cubus who enjoys making wry comments in her head. No matter the implications, the Devil's Advocate must know the truth. Mars needs a Saint.

Saint of Mars is available on Amazon. 
 
* * * 
 
Quin has a problem. He needs to return to Mars to take up his duties as administrator of the Mars Trading Depot. But someone left a clone in his ship cabin. A gorgeous, clever clone, who might just tempt Quin to break laws he agreed to when he emigrated to Mars in the first place.

Allec doesn't understand what all the fuss is about. So what if he's a clone? So what if he's only going to live a few months? He's on a spaceship. He's learning a new profession, and he has a handsome and kind boyfriend. The politics of his creation are not his problem.

As Quin and Allec near the end of their nine-month mission, they grapple with issues that affect Martian finances, family betrayal, political upheaval, and their own happiness.

Ithax's Offspring on Mars is available on Amazon.  

* * *

As merfolk head into space, political complications threaten to scuttle their desire to settle on Mars. Controversy swells over an ancient religious ritual involving immersion, sex, and marriage. The controversy only expands when Meke and Rill, two Siphons or Mermen, arrive on the Mars Space Station.

Years ago, bribery and sabotage subverted the ritual between Meke and Rill. Rill fled. Meke wants answers and pursued him. Their face-to-face confrontation sends a surge through the merfolk or Siphon community that could drown other issues and separate lovers like an outgoing tide. Meke and Rill dive deep into their past to generate wise and pacific solutions.

Nerites Amid the Stars is available on Amazon 

* * *
 
With the help of her investigators, Francesca Paraclete, a devil's advocate, researches the possible canonization of a medieval saint: Lady Margaret.

If canonized, Lady Margaret will be the first Siphon or mermaid saint. Frankie must consequently deal not only with difficult-to-access and interpret historical records, she must also handle political issues--those who support a Siphon becoming a saint; those who don't.

Her duties are complicated by a possible spy from the College of Cardinals, a cat-like being who insists on accompanying her everywhere, and her personal invisible consultant, a Cubus named Will who is possibly over 2,000 years old.

To  keep things simple, Frankie focuses on locating Lady Margaret's relics. Frankie, her spy, and her consultant start the search in Bamburgh Castle in Northern England. Their investigation will take them to the Faroe Islands, the Isle of Man, King Arthur's Carlisle, a holy well, several shrines, and Norton Priory. At each location, they encounter lore connected to the sea and possibly, hopefully, the true story of Lady Margaret.
 
The Serpentine History of the Saint is available on Amazon.
 
* * * 

Panfilo ended up on the Mars Space Station when his adoptive parents kidnapped him from Earth.

He doesn't resent his relocation. He doesn't resent being ejected from Mars when his wolf-like nature is discovered. He doesn't resent being raised by a human clone and his mate.

He does rather resent being almost assassinated.

The assassination attempt on Panfilo motivates him and his guardians to delve into Panfilo's origins. Is he alien? How is he connected to Earth's history? Why do some humans and humanoid aliens fear him? Why do others wish to follow him?

The search takes Panfilo, his guardians, and his investigators--Monseigneur Rhys and Canon Lider--to Earth and ultimately to negotiations between Panfilo and a powerful monarch. Before he can undertake those negotiations, the teenage Panfilo needs to figure out, Who am I? What am I going to do about who I am?

The Wolf Boy Returns from Space is a Rhys and Lider detective novel. It is the most recent book in the Myths Endure in Mars series. It references characters and events in other books but can be read separately.

The Wolf Boy Returns from Space is available on Amazon.

Myths Endure in Maine

The Myths Endure in Maine series currently totals 4 books:

His in Herland or Astyanax in Hiding: A Retelling of Gilman's Herland

Navigating an uncharted tunnel, three male explorers find they are invaders in a country of only women--supposedly. Narrator Terry Nicholson begins to doubt the country's self-reported history when he encounters a male inhabitant with connections to ancient Troy.

A tribute and critique of Herland by Charlotte Perkins Gilman, His in Herland or Astyanax in Hiding gives a voice to the original villain as well as a male in disguise. 

His in Herland is connected to ongoing posts on the problems with utopias.

Kouros Underground

After dozens of foster homes, Cord knows how to protect himself and make his own way. Yet he agrees to a dubious if alluring offer from the god Hermes and follows him into an adjoining world. In that world, Cord too becomes a god, the god of springtime.

In his new home, Cord finds he is the linchpin of an ongoing conflict: those who are pressuring Hades to change the rules of death and those who support Hades's adherence to natural law.

Cord prefers to be left alone to carry out his duties--except he inconveniently gets attached to his job and to Hades. To keep both, he must challenge the world's system, especially the other gods.

Kouros Underground is the first Myths Endure in Maine book. Each book is a separate story within the same universe. Cord or Kouros does appear in most books.

 
Suppose Catherine Morland lived in a world run by Greek gods. And met descendants of Oedipus Rex. Would her life still be prosaic and ordinary?
 
Yes. 
 
Catherine Morland & The Matchmaker retells Austen's gently satiric novel Northanger Abbey in a steampunk fantasy world. A god of love learns to be a matchmaker. Eleusinian deities make cryptic prophecies. A trickster god claims omniscience through stolen technology. Lots of other gods plan festivals. In the meantime, Catherine Morland navigates the banal, boring, weird, confusing, unexpected and sometimes delightful world of dating.

Cupid in Captivity

Kidnapped by a fellow student, Billy Stowe carries out an unofficial investigation to identify his abductor, Jonas West. His primary purpose? To protect Jonas and keep him from confessing.

Nearly a decade later, Billy resolves problems for the wealthy elite while Jonas enjoys celebrity status as a renowned nature photographer. Yet repercussions of the earlier deed persist, demanding retribution or reenactment. Billy and Jonas must out-maneuver social media-influenced peers and legal authorities as they strive to escape the worst repercussions of Jonas's deed and adapt to the best.

Based on classic myth, the story of Billy and Jonas captures the unanticipated and unique links that arise and survive between human beings, links that last years and transcend labels. Can the captor and captive fall in love? Why shouldn't they? Who gets to decide?
 
The resolution may surprise even these two soulmates.

Although all books in the Myths Endure in Maine series share a world--and various characters make regular appearances--each may be read separately.

The Myths Endure on Mars series can be reached here.

Peaks Island Press

 Peaks Island Press has an impressive catalog!

The most recent publication is Beth Woodbury Hart's Dunbar Woods, a contemporary fantasy that places suburbia next door to a clan of immortal Fairlies. 


Author Eugene Woodbury has produced two young adult novels set in Japan. Fox & Wolf has a contemporary setting and tackles the world of shape-shifting. Not only is this novel an excellent way to learn about Japanese werewolves and werefoxes, it is also a great education on the customs of Japanese high schools!

Serpent of Time, Eugene's second YA novel, details time-traveling between the Nanboku Period in Japan--specifically the time of the Oei Rebellion--and contemporary Osaka, including famous Mount Koya. More specifically, Serpent of Time follows the trials of a princess on the run alongside the adventures of her helpers and chasers.

Most recently, Eugene has created translations of novels from Ranpo Edogawa's Boy Detective Club series.

Through Peaks Island Press, Katherine Woodbury writes tributes to classics, mysteries, and fantasies. 

The latest Jane Austen tribute is Persuadable, a retelling of Jane Austen's Persuasion and a romance in its own right.  

Katherine's mystery series through Peaks Island Press presents Donna Howard, a Portland, Maine investigator who follows cases connected to antiques. 

Katherine's fantasy series through Peaks Island Press explores Roesia, a Victorian-inspired world with magic that follows the trials and successes of debutantes, police officers, civil servants, and aristocrats within that world.

Katherine produces two separate series outside of Peaks Island Press: 

Myths Endure in Maine revolves around a fantasy world connected to Portland, Maine and inhabited by Greek gods. Austen tribute Catherine Morland Meets Oedipus Rex: A Retelling of Northanger Abbey is scheduled for publication at the end of May 2023. 

Myths Endure on Mars, a sci-fi series, delivers interplanetary travel, romance, "alien" politics, mysteries, and an exploration of the canonization process.

Rejection Letters: Critics versus Editors

Example of a good letter: I've never submitted to The Paris Review.

I recently updated my Fiction page and found this post from years earlier. I am reposting it, updated. It mostly refers to short story rejection letters...sent by mail!

I've received many rejection notices throughout the years. I'm going to list various types of rejection letters, favorites to least favorites:

The best, of course, is the personalized note--the handwritten scrawl across the bottom of the form letter or, if you're really lucky, a personal, typed letter. These personal notes fall into two categories: one, an explanation for why the story wasn't accepted; two, an apology for not accepting the story even though the editor really, really liked it. Of the two, the first, believe it or not, is best. As my brother Eugene says regarding the second, "My ego thanks you, but I'd rather be paid." Still, both are way up there. The first time I got a personalized note from an editor, I was as happy as if I'd received an acceptance. It was a fairly prestigious magazine (for me), and I floated around on Cloud 9 for days.

The second best, which I didn't used to like, is the form letter with boxes. The editor(s) check the boxes that apply: Not Enough Description; Lack of Dialog; Not For This Magazine. I've learned to appreciate feedback though I know it isn't always possible; besides, I always like to make sure the Totally Horrible Writing box isn't checked.

The next is the ordinary form letter. Eh. But in comparison to the next type of rejection letter, I don't mind it as much.

The personalized form letter: now, most form letters say something like, "We're sorry we can't use your story. Try us again. We apologize for this form letter," and that's fine, but I get a bit ruffled when the form letter says something like, "We read your story, Katherine, and although we enjoyed TITLE OF STORY, we won't be using it this time around." The first time I got one of these, I thought it was a personal note. Yes, okay, call me naive. After I received the third one, I realized that it was a form letter sent by a clever assistant. (Merge is an amazing feature.) These types of form letters really annoy me. I'd rather just have the editor say, "You're a cog in our machine" than pretend to know me, like salespeople who want to buddy up to me on the phone. Just tell me about your product. If you can't tell me about your product in ten seconds, if you're just going to ask me how I'm doing, forget it.

The final type of rejection letter is a personal critique rejection letter; this kind of personal note rejection letter is different from the type mentioned above. 

At this point, I have to digress and talk about literary criticism versus editing. Literary criticism is no-holds-barred "I personally don't like this" justification. Hey, critics can say whatever they want for whatever reason--in academe, they use a gloss of jargon and highmindedness to pretend that they are calling down the fires of heaven. In truth, literary critics are often entirely obsessed with what is "cool" and, yes, "cool" exists in the academic world. 

Editing is a different beast. One of the most important jobs of editing is figuring out what the author intends to do. That intent then becomes the standard by which the piece is judged. In other words, it is pointless (if interesting in a bizarre way) to criticize Tolkien's The Lord of the Rings for not involving aliens and spaceships or successfully describing submarine warfare or devolving into a pastiche of modern habits using contemporary settings.

Not only should editors look for the author's intent, they should also look at the author's work as a whole--so it is also pointless to criticize Tolstoy for killing off Anna Karenina (spoiler, I know, but really, you ought to know that) or Kafka for turning his protagonist into a cockroach rather than a bear.

In other words, editing should never be about what the editor thinks the story ought to be about (or what the editor wants to read). It should be about whether the author succeeded at what the author was attempting to do.

To return--the personal rejection letter that I don't care for is the personal rejection letter which isn't about my story as a whole and whether it succeeded or not or, even, where it was flawed; rather the personal rejection letter I dislike is the one which wants to take issue with me for employing a certain theme or for delivering a particular outcome or for using a particular set of tropes or for operating in a certain genre. 

If you don't like it, says I, don't buy it.

This isn't to say that I'm opposed to the magazine editor saying, "Well, really, you know, we prefer happy endings" or "Well, really, you know, we prefer sad endings where everyone dies and life is hopeless and there's angst dripping from the ceilings." That's fair. Magazines have certain audiences and certain self-perceptions. 

But there's a difference between saying, "We prefer angsty endings, and you don't have one" and saying, "You ought to change the pleasant hero into a Byronic sociopath. That will make the story so much better" or, in literary speech, "Such changes will explore the profound tremors within the human psyche that match the contemporary zeitgeist" (academic criticism isn't that hard--seriously). 

This final type of personal rejection letter inevitably involves blatantly condescending sentences. I have received brutal rejections of stories, but none of them are as bad as the condescending rejection letter which smugly informs me that I'm a good little writer in my way and here are some suggestions (which would completely alter the theme and plot and style of my piece) which will make the writing and me ever so much better. What the critic (not editor) really means is that if I could only turn my piece into something the critic approves of (rewrite my DNA), then I will be acceptable in the critic's eyes.

Over the years, I've come to the conclusion that most critics (and academics) simply don't read that much. They honestly seem to believe that only one "proper" genre exists in the universe. They are always issuing challenges to "break barriers" because they are, in truth, rather conventional. All the barriers have already been broken. Writing is about trying out a particular approach, not upsetting a tiny apple cart of what literature IS.

From a writing point of view, such critics completely miss my real failures as a writer--namely, slow beginnings (which these days, I tend to overcome by starting about a chapter in), struggles with description, and a tendency to assume my readers know my characters as well as I do. They instead mistake my plot choices as good or bad writing. A broad example are the critics who mistake the appearance of magic in a story as bad writing, simply because they don't care for all that fantasy genre stuff (these are the people who use "magical realism" rather than "fantasy" in their critiques when the author is someone they do approve of, i.e. someone "cool").

But then, I will say that I think good editors--who can put themselves in the writer's shoes and try to look at what the writer is attempting to do from the inside--are hard to find. It truly is a skill.

Tackling Theology: Incubi, Egyptian Mythology & Mystery in Space

I mention on Votaries the sense of being caught between positions. It is impossible to take a "side" when both sides strike one as wrong. 

I currently feel the same about theological matters. I was raised to believe in the importance of the physical body--and I still do. The physical experience is more than a "trial." It is more than something to be endured. The physical body is not the enemy of the spirit nor do the greatest sins arise from the challenges and demands of the physical body. 

In classical Christianity, the worst sin is pride, which comes from the mind and heart. Pride is greatly tempered and disciplined by the physical experience. 


In addition, mortality allows humans not merely to learn and grow, which ideas are often relayed in purely abstract terms, but to actually do things. The release of the body at death is not something to crow about. In refutation that C.S. Lewis ever stated, "You don't have a soul. You are a soul. You have a body," Hannah Peckham correctly points out that this is a misreading of a line from George McDonald. She writes,

"Christians need to be mindful, however, that they are embodied creatures with the promise of an embodied resurrection. Jesus incarnated in a body and resurrected with a body, so Christians should be careful about minimizing their own." 

I agree. A theology that dismisses the mortal experience as some kind of "rough patch" that the soul or spirit rises above is missing the point. The egoism of believing that the essential "me" is the only thing that needs to survive resembles the classical version of hell more than any truly desirable vision of heaven. 

Give me instead a theology that rejoins the physical with the spirit and values that state without shame or apology. 

The theology of my childhood states that the goal of each human is not simply to be with God--we could have done that without ever gaining a body. The goal of each human is to become like God or, if you want to go down the science-fiction road, to follow a path to a different plane of existence: to go from existing as a 2 and 3-dimensional being to something/someone more complex, deeper, and expansive, to become--in essence--more. The mortal experience places us on that road while the gift of the physical body is ours forever.

We can never entirely reach God since God will always continually progress beyond us. We will always be rushing to catch up. But we can certainly aim higher, not as part of some abstract mind-game (Now, I'm happy) but as an actual condition of existence.

Heaven is not a state of continual rest where we are patted on the head for getting through the rough stuff and then sent to hang out eternally in God's rumpus room. It's not about winning, being rewarded for checking off all the right boxes and jumping through all the expected hoops. Rituals and ordinances can help bring us closer to God, to better understand God's vision and purpose, but they are means to an end, not the end itself. C.S. Lewis, as always, gets closest: Further up and further in.

An afterlife of ongoing, endless work bothered me as a child. Now, I respect a belief that bypasses the earthly, secular battle over "who gets into utopia and who doesn't--what you say versus what we say" for a larger view, a greater possibility, a continuing journey.

The main protagonist of my next Myths Endure book grapples with many of the above ideas. However, I learned the hard way when I was younger that writing fiction to explain theological principles inevitably collapses in on itself. It is always best to tell a story, to start, as C.S. Lewis explained, with the image of a lion or a lamp post in a snowy wilderness. 

In my case, it's the image of a detective in a cassock.  

Anubis on Mars, with conclusion, is available on Amazon for pre-order.

Mermen in Space: Nerites Amid the Stars

Mermaids and mermen are to me what I suspect horses were to a lot of my friends growing up. 

It's hard to tell because even as a kid, I was unlikely to collect mermaid dolls and posters and similarly-themed dish towels. These days, I have a lot of cat stuff, mostly because I decided not to fight people's tendency to give me cat stuff. I suspect I'm simply not a collector-type of person--of anything, that is, except books. 

Still, sea people are enchanting. There's E. Nesbit's Wet Magic as well as Stargate: Atlantis. (I always wanted the city to remain below water.)  And there's a lovely moment in Voyage of the Dawn Treader where Lucy, leaning over the side of the ship, sees a sea maiden and makes an instant connection. C.S. Lewis never tackles sea people directly but they haunt the Narnia books. They attend the coronation of the Pevensie children but are absent or only referenced in other books.

In other words, C.S. Lewis gives them the qualities that attend them in folklore: mysterious, unmanageable with an edge of ruthlessness.

My sea people are more cool-headed Fortune 500 CEOs. But the wonder of the sea--which I live near and can't imagine ever leaving--attends their rituals and customs and, naturally, their ability to produce tails. 

Nerites Amid the Stars is now available on Amazon. 

Below is Chapter 1.

Meke

* * *

Meke took a swim as soon as he departed the ship.

The pools in ship quarters were adequate. Of course, travelers to Mars didn’t have much choice. But nine months of shallow water wore on Meke in a way he hadn’t felt since the aftermath of his initiation ceremony.

He had quarters on the Mars Space Station. They were reserved over a year earlier when the Mars Council accepted for review the proposal that Siphonophes be allowed residency on Mars. The station already had quarters for Siphons. In the last year, those quarters were expanded, the pools enhanced.

He followed the goodwill greeter, Phyl, to the station’s second level or tier and down a broad, shiny promenade. His quarters were in a separate sphere from the main tier or concourse, which included embarkation, conference rooms, offices, and the food court. Each sphere had its own artificial gravity. From the outside, the station was a stack of squashed bubble-like modules. From the inside, the station appeared one structure, its “floors” separated by translucent metal barriers and elevators. 

Phyl stopped outside a metal door engraved with a faintly elegant pattern reminiscent of waves or kelp. He inserted a card into a slot and waved Meke in first.

Meke entered a long room on the outside of the tier, so it showcased a curved translucent wall with a view of dark expanse. Meke kept his eyes on Phyl. Space disconcerted him. On the ship, he kept the window to his cabin shuttered.

Phyl held out the card and said, “The entry card can be programmed with your own pin—old technology but still effective.”

“Thank you.”

“Welcome to Mars Space Station.”

Alone, Meke stripped and lowered himself into the pool against the inner wall. Unlike the pool on the ship, it was deep, and Meke let himself sink without pause, his legs merging and wrapping into a glittering stem. Some mermen on Earth had fins but most, like Meke, had nectophores. Meke’s shone bioluminiscent blue.

He descended as the skin along his torso thinned to handle respiration without burdening his air-breathing lungs. The pool curved to meet the outside translucent wall. Right now, he could see Mars.

He paused, his tail (in the vernacular) lashing slowly. He made himself look out, ignoring the vast darkness around Mars with its faint stars. The view was easier to take while he was in water, so long as he didn’t remind himself that the water and the pool were entirely manufactured. Not natural. Man-made objects suspended in space.

But Mars, after all, was why he there.

Mars and retribution.

Mars came first. After an hour, he reluctantly pulled himself out of the pool and dried only his hair (Siphons never minded a little damp) as his legs reshaped. He should have unpacked before he went into the water—the clothes in his trunk were wrinkled and stale-smelling—but the quarters had decent facilities as well as an above-water bed. He sent pants and a high-collared shirt on hangers through the quarters’ standing wash-and-dry cleaner. He dressed. He collected all his electronics. He propped open the door to the promenade and programmed his card with a new pin.

The card also contained destination indicators. Meke pressed the top and the card softly chirped when he waved it to the left. He returned to the glass-fronted elevator that took him to the main concourse. From there, he followed the clicks to the conference room.

He’d arranged from the ship to meet with station, Mars, and Siphon representatives tomorrow, 11:00 Sol time since the station kept on the Mars clock.

He didn’t expect to see Rill—Rill worked in the bureaucratic offices that stretched behind the conference room and circled a third of the station. The offices broke at Embarkation with its multiple checkpoints. They picked up again in the section devoted to Mars Trade. Meke had studied station plans as soon as he landed the assignment.

Rill worked for Demographics, collecting and collating population data from Mars’ early years. Enumerator was his official title in the lists that came from the station. Rill, Enumerator. He was Rill, Meke’s Rill, that Rill. Meke’s private investigator confirmed Rill’s departure from Earth for the Mars station nine years earlier. He took the money and ran. And Meke had no idea what to think about any of it.

He followed the card’s clicks to the food court that circled the station’s center where visitors could stare through translucent barriers at open promenades within upper spheres. Like any newbie, Meke stood and stared, all the way to the vast bubble ceiling. He knew the station’s layout but knowledge and experience weren’t the same—as any Siphon could attest.

The artificiality of the station was beginning to wear. He settled outside a café near the solar-famous restaurant with the first-long-lived clone chef. The chef had a male lover, once a Mars citizen. Meke should be able to relate. He couldn’t.

The café served Martian algae, which Meke had eaten on Earth as a specialty item. Here it was a common staple, appearing on every dish.

He finished his meal and crossed to a shop with full aquariums. He purchased a bag of krill for later. Right now, he needed a full tide of sleep. 

Rill

He turned towards the elevator, sliding the card out of his shirt pocket. 

And there was Rill. 

Meke hadn’t been sure he’d recognize him. Nine years, from adolescence to adulthood. In human terms, they were twenty-five. And yet—

Rill was slim and compact with cropped dark hair (it was longer and more tangled once). Meke wasn’t close enough to see the slanted heavy brows and shy, cheeky smile. But he recognized Rill’s walk, that unconscious cocky grace that Meke still envied.

Rill was studying a tablet as he sauntered across the concourse, a bag of Earth seaweed swinging from his other hand. Easy. Relaxed. At home.

Maybe I shouldn’t have come.

Greek Mythology Novel: Chapter 1

I started this novel over ten years ago. The initial version focused on Artemis and Hermes whom I kept in this version with more or less their prior relationship and personalities. I also kept the world's underlying theology. 

I made a major change to the setting at the suggestion of my editor, Eugene: the novel still takes place in an alternate, though connected, world, but the landscape is recognizable. I've lived in Portland, Maine for over 20 years. It is very useful! 

This novel continues the trilogy that begins with Cupid in Captivity and continues with Ithax's Offspring on Mars. The novels are related thematically, not by characters (although one character from the prior books does show up in this novel by another name). Cord or Kouros's book is far more complex since it involves "rules." Fantasy and sci-fi writers, always remember: you must have some clue how your world works, no matter how exasperating those workings are to keep in order!  

Below is the first version of Chapter 1.

* * *

Cord thought for a moment that the man lingering outside the group home was waiting to proposition him. Foster kids got propositioned—and approached about drugs—and conned into petty crime. It was part of the profile. They were desperate for love, for affection, for attention.

Something about Cord’s face and stance kept manipulators at a distance. He wasn’t large, being 5’10” at age seventeen with a wiry build and what a foster sister once told him admiringly was “Aidan Turner” hair. They had sort of dated since she would come into his room some nights and snuggle. She would talk about how they would be together “forever.” That lasted until she got pregnant by another foster brother and the slack-ass foster parents threw them all out.

The point was, Cord was cute enough or whatever. More importantly, he had attitude--though so did every foster kid he knew, a kind of world-weary exhaustion that identified idiots at a distance.

The weary-world foster kids were still vulnerable. Cord knew kids who sneered at parental figures and group home leaders and high school teachers and television politicians and rich kids and activists and religious do-gooders—and still went off and stupidly got conned into letting someone else use their stuff, eat their food, and “borrow” their money.

That desperate-for-affection thing was a real bitch.

Cord didn’t make those kinds of mistakes. He wasn’t going to get a girl pregnant, but he didn’t lead any of them on either. Or any guy. Or anyone. About anything. He never encouraged the foster sister. He could admit, having someone to talk to at night was nice.

Maybe the constant wariness was beginning of wear a bit. Maybe he was thinking that virginity was one of those things he just needed to dispose of, like the thought of going to college (because Cord was not getting himself into that kind of debt; he didn’t want to owe anyone).

The lingering guy was good-looking, lean, a little taller than Cord with similarly dark hair, only more close-cropped. 

“Corduroy Whitsun?” he said, and Cord immediately demoted all his assumptions into a pile of nothing. 

Assume nothing was the easiest way to deal with life. It was impossible for Cord to entirely turn off his brain, to not make assessments, to not try to figure out people and situations, but the house of cards never stood for long.

Yet the stupid brain couldn’t help throwing out analysis. This guy knew his full name. Cop? Undercover cop? Some friend of an ex-foster sibling who was pissed about something? Cord stayed out of people’s way. They sometimes got pissed anyway.

“Yes,” he said and got ready to retreat.

“I’d comment on your name,” the guy said, his eyes on his phone. “But I’m not in a position to be snarky.” 

He put his phone away then, which faintly impressed Cord. Most of his peers acted as if their identities and their phones were the same. Put away my phone—you can’t see me anymore!

Cord didn’t own one. He couldn’t afford it.

“Hermes,” the guy said.

“Dude!” Cord said before he could stop himself. Then he flushed, embarrassed that the guy, Hermes, managed to surprise him. Or, rather, that Hermes got Cord to show his surprise.

Hermes flashed a smile, bright teeth against a tan face. The tan didn’t look artificial even though it was early spring in Maine. Hermes also didn’t look Greek or Mediterranean. Cord never talked about people’s origins. It was a good way to get beat up since “offense” was the kind of thing that parental figures excused. Anything that smacked of anti-something-or-other deserved a good beating in their book. Cord kept his mouth shut.

But he’d read Greek myths. And Roman ones. And this guy looked like a yuppie in one of those really old John Hughes movies that one of Cord’s foster moms loved. He even had the same expression of slightly sarcastic confidence. Not exactly Ancient Messenger Guy--except for the expression.

“I’m not the first Hermes,” Hermes said, as if he could read Cord’s mind.

But then Hermes said, “You wouldn’t be the first Persephone. Obviously.”

This time, Cord didn’t say, “Dude!” He was used to crazies. They seem to gather in the area around the group home and the soup kitchen and all the other resources for poor people. The drunks screamed abuse, and the mentally ill called Cord by a dozen different names.

They didn’t usually look so slick.

Hermes said, “You want to get a cup of coffee?”

Cord hesitated, the rational side of him telling him to leave, walk away, get out, go to work. Work was at a nursery in South Portland where he heaved things around on carts and answered customers' questions.

The other part of him shrugged. Coffee at a coffee shop would be safe. He had another hour before he had to catch the bus. And if the guy paid—

He jerked his chin. Hermes cocked his head, then grinned. He walked ahead of Cord up Preble Street to Monument Square and across the square to the coffee shop. He only looked back once, just to see if Cord was still following, and he didn’t try to talk. 

So Cord was more than faintly impressed. He didn’t show it. And when they entered the local café—not Starbucks or Dunkin’ although Cord would have gone there too—he stood back and let Hermes approach the counter. If the guy wanted to talk, fine, but he had better pay. Cord wasn’t going to waste his money.

Money. Everything came back to money. Where to sleep that night since the kids in the group home wouldn't shut up about marijuana. Cord didn’t care about the politics, and he was sick of the offers and the endless discussions: “Dude, I’m going to have my own dispensary one day!”

Laundry and bus fare cost. Most nights, for food, he went to the soup kitchen. Forget school or school supplies. Cord stopped going months ago and nobody there was looking for him.

When Hermes turned back with two cups of coffee, Cord almost walked away. If he sat down, if he listened to this smooth talker, he might not have the willpower to stand back up and get on with life.

He edged backwards and sat at one of the tables near the outside window. Hermes sat across from him and slid over the coffee. He raised a container of creamer but Cord shook his head and poured in three sugars.

Hermes said conversationally, “I come from an adjoining plane of existence. It split off from this world during the act of creation or evolution, whatever you want to believe in. The gods in my plane of existence desired more order.”

“Gods?”

“Yup. They make everything run. A god for day and night. A god for rain. A god for love—”

“Aphrodite.”

“Sure. We use the Greek and Roman names. Persephone. Kore. You’d be in charge of flowers, growth, springtime, that kind of thing.”

“And you don’t already have one--a Kore?”

“We did. They come and go. You would be the, uh, let’s see, five-hundredth-or-so Persephone. Most of them have been women but not all. It’s a position. So what do you say?”

And Cord proved he was just as gullible as any of this foster-siblings because he said, “Sure.”

Ithax's Offspring On Mars

On April 12, 1961, Yugi Gagarin became the first human to travel into space. 

In commemoration, Ithax's Offspring on Mars, with epilogue, is now available on Amazon. 

Quin has a problem. He needs to return to Mars to take up his duties as administrator of the Mars Trading Depot. But someone left a clone in his ship cabin. A gorgeous, clever clone, who might just tempt Quin to break laws he agreed to when he emigrated to Mars in the first place.

Allec doesn't understand what all the fuss is about. So what if he's a clone? So what if he's only going to live a few months? He's on a spaceship. He's learning a new profession, and he has a handsome and kind boyfriend. The politics of his creation are not his problem.

As Quin and Allec near the end of their nine-month mission, they grapple with issues that affect Martian finances, other people's love of labels, and their own happiness.

Cupid in Captivity

Cupid in Captivity is now available on Amazon. Chapter 1 can be read below. 

I wrote my first novel in junior high (a novella actually but it was longer than my previous stories--it felt like a novel). It is about a teenage girl who is kidnapped by a group of older teens who in retrospect rather resemble the snotty kids in Pretty in Pink. If I remember correctly (the novella is buried in a box somewhere), the teenage protagonist is kidnapped alongside the child who is the actual target.

I wrote the novel before Pretty in Pink came out (yes, I am that old) but I don't doubt that James Spader et al. were floating about in the ether. The leader of the group was named Billy and had many of the characteristics associated with appealing vaguely amoral bad guys, such as Spike and Crowley. 

The story never completely went away. I tried updating it a few years ago, flipping the roles, and adding a mythological aspect (which I ended up using here): Billy became victim rather than kidnapper. The magazine I submitted it to was obviously engaged enough to send me a personal note but bothered by the underlying thread of violence. Stockholm Syndrome is simply not as attractive as it used to be. 

I kept playing around with the idea in my head, and I discovered that with age, comes a change in perspective. The aftermath of the kidnapping is now the part that interests me the most. So here is the story revised and expanded with a kernel of the original idea.

The second novel in this series, Ithax's Offspring on Mars, will be released on April 12, 2021, the first day that a human--Yugi Gagarin--entered space. 

The books in this series are not related by genre or characters. They range from suspense to space sci-fi to contemporary fantasy. However, they are thematically related. They satirize human attitudes that attempt to label and categorize events and personalities at the expense of experience, transcendence, and individuality. 

Romance is larger than petty politics.  

 Cupid in Captivity

Part I

Chapter 1

The hospital felt stranger than the shack. 

Not a shack, Billy reminded himself. A cottage with running water. The only heat came from a thrumming space heater—but that could be because the boiler or furnace was shut down for the winter. 

Or, more likely, because lots of summer cottages didn't bother with heat and used above-ground pipes. The floors were wooden, not dirt. Sneaker against wood as his kidnapper moved between an area with a sink and the bed. 

Billy told the police about the wooden floors, not about the sneakers. He told them quite a lot.

 “Thursday night, I was leaving school. Debate team.” 

Debate team gave the impression Billy had been participating. He hadn't. Ernest convictions based on acquired media phrases exasperated him. So much effort for so little result. His peers, when frustrated, tended to fall back on declarations, such as, “I’m so offended!” and “How can you think that!” until weary moderators called for a rest. 

Still, listening to the types of arguments people made when pushed had its value. Not that his classmates pushed very hard. Environmentalism versus industry. It didn't seem to occur to anyone, even the teachers, to pick a topic of actual interest and impact, like a debate between environmentalists of varying schools or a debate on preferred industry responses, from branding to buying up carbon credits. 

 He left when the debaters starting arguing end-of-the-world scenarios, which was futile as well as illogical. He got in his car, got pulled into a chokehold, got chloroformed. 

He didn't mention that the chokehold was lightly applied and that he didn't struggle. Much. A reflex, a rejection at being alarmed—sure. But what was happening wasn't boring. Always an opportunity to learn more. 

He didn't repeat that thought to the police. Yeah, teens are stupid. We have sex without condoms. We drive without seat belts. We never think, “Oh, this will kill me.” 

He could see that thought and others lurking behind Lieutenant Davis's reasonably expressionless face. She was ready to find Billy stupid in some way. She also knew that a properly applied chokehold would take less than three minutes. And that chloroform would take more than five. Billy was purposefully vague about times. I was dazed. 

 The doctors pronounced Billy fine—at least as far as blood circulation and brain damage were concerned. But he was the victim, so Lieutenant Davis said without obvious skepticism, “And when you woke up?” 

“Head ached. I was handcuffed to a bed, wrists and legs. Eyes covered. Had a blanket over me. Kidnapper gave me pills.” 

“One kidnapper?” 

Billy allowed himself to pause as if considering. He could use a breather in any case. His head pounded as much as it had that first morning in the cottage before his kidnapper gave him aspirin and had him drink a lot of water through a straw. The hospital was filled with undying echoes. Light in his private room was dim, but overhead lights lurked just beyond the room door. And he was cold, colder than in the cottage. The space heater had been a good one. 

“I guess,” he said finally even though he was positive there was only one kidnapper. 

“He? She?” 

“He,” Billy said because it seemed a little too witless not to guess sex, even with his eyes covered. Weight. Walk. Whatever his peers wanted to believe about the evils of biological profiling and the duty of being non-judgmental, Billy doubted that a woman could have grabbed him so easily in the car or lugged his 5'8” 140-pound self anywhere without causing him more damage. 

So far, other than the left wrist which got pinched by the handcuffs in the final nine hours (I slept wrong), he didn't seem to be suffering much physically. He really hoped they didn't send in a priest or the secular equivalent to look after his supposed emotional trauma. 

Lieutenant Davis said, “You were fed?” 

“Yeah.” 

Mostly crackers, cheese, yogurt and water, all with plastic utensils and cups. He wore adult diapers, which the kidnapper changed regularly over the first twenty-four hours. Billy was too tired to figure out whether that was supposed to embarrass him as a teen or not, so he simply relayed the information matter-of-factly. Personally, he thought it rather brilliant. He'd always wondered why terrorists and such let hostages go to the bathroom. If they weren't worried about killing their victims, why would they care about said victims’ personal comfort? After consideration, he supposed that living conditions mattered even to soulless terrorists. Nobody wants to hang out in a latrine. 

And his kidnapper, Billy believed, was not soulless. 

“The iPod we found isn't yours.” 

“No. The kidnapper left it for me to listen to.” 

Billy rather thought the kidnapper should have taken the iPod away. Leaving it behind indicated confidence that it couldn't be traced back to anyone. Had it been stolen? On a trip to Boston? Portland was a small enough city, an iPod stolen off a local bus might still turn up in a police report. Stolen out of a lost and found box? Maybe. Still, Billy thought it careless. 

“Jules Verne?” the police officer said skeptically. “The kidnapper left you alone to listen to Journey to the Center of the Earth?” 

Billy shrugged. “To send me to sleep? I mean—yawnsville.” 

That earned a glare—Brain dead teen who can only enjoy Twitter and pretentious music with trivializing lyrics—and Billy tried not to obviously relax. Because he liked Jules Verne. He'd read all the novels and a biography. Voluntarily. He had opinions about the movies, which he never shared with anyone. Except there was evidence for his preferences out there in the world. 

The questions continued. No, the kidnapper never spoke. Yes, the kidnapper left me alone part of the second day. When I woke early the third day, I was alone. The police arrived a few hours later. 

“Do you know why the kidnapper didn't ask for more money?” 

The Stowe family lawyer, Mr. Jamison, raised his head. He spent most of the questioning seated at a tiny table on the other side of the hospital room, working through business documents. 

Now, he said, “Not really within Billy's purview.” 

It was actually. Billy was well-aware of how much his family was worth. With more time, the kidnapper probably could have collected several million for his return. Out of available family cash, seventy thousand was low. 

Withdraw the money the same day. Drop it in a waterproof bag on a long, deserted road. Then call in the police. His family could have built a bonfire and burnt the ransom and felt as little damage. Fairly brilliant if all one wanted was enough money to pay for two years of college or a down payment on a condo. 

Billy shrugged anyway. 

A few more questions. The lawyer claimed Billy needed to rest (Billy suspected Jamison had a deposition to get to). The lieutenant grumbled and followed him out. Billy heard them confabbing in the corridor, probably about asking Billy more questions “when he's up to it.” And Jamison was likely intoning platitudes about Billy’s “need to rest.” 

Billy let their conversation wash over him, their voices blending with the hospital echoes. He wasn't worried. He knew exactly what to mention and what to not mention in future interviews. He was never going to mention that the kidnapper smelled like chlorine.

Full List of Published Short Stories

Katherine Woodbury's Published Short Stories

"Solvency" (Space & Time, #123): A sci-fi romance; in a futuristic economy with medieval overtones, Macworth faces the unsettling possibility that he may have to torture his wife. The alternative: undergo risky negotiations with an untrustworthy scientist.

"Cold Passion" (Tales of the Unanticipated, #31): A sci-fi satire; in a futuristic high school, students are rewarded grades for expressing excessive emotion. The tale's narrator, a young woman of dispassionate temperament, hunts for sanctuary from her emotion-demanding culture.

"Mislabeled" (Tales of the Talisman, #7.3):  A sequel to "Masquerade" (see below); princes on a quest struggle between friendship and loyalty as well as love (not to mention getting to the top of a glass mountain!) This story appears in Tales of the Quest.

"Grave Bride" (Cicada of the Cricket Magazine Group): When a Norse grave-bride doesn't die, she has to fight to save herself and her possibly not-dead husband from conniving marauders.

"First Estate" (Monsters & Mormons): the story of Ruth from the Old Testament, only on another planet.

"Requited" (Andromeda Spaceways): The phrase "can't live without him" is literal for a symbiotic--or parasitic--alien species where one member of a sexual partnership can only speak to the other member. Naturally, when this species encounters Earthlings, this type of relationship creates controversy (as well as envy). I've returned to this idea in my current sci-fi/mystery series, starting with Anubis on Mars.

"Her Society" (Leading Edge #57): In a society where individual victims decide how criminals will be punished, a young woman has to decide what to do with a violent offender living in her home.

"Verbal Knowledge" (Tales of the Unanticipated #29): in a futuristic society, Roger can shape people's actions based on verbal suggestions. He becomes embroiled in a corporate conspiracy and ends up shaping himself to feel love for one of his victims.

"Top of the Mountains" (Tales of the Talisman, September 2008): a priest and his female cleric settle on a colony where the priest instigates a rebellion against the human planetary council that controls religious dealings with aliens.

"Devil's Pet" (Andromeda Spaceways #35): in this Dilbert-meets-Milton tale, a young woman descends into workplace Hell to rescue her dead boss.

"Scattered" (Irreantum, Spring 2007): Elijah and his enemy, Jezebel, meet up in modern Portland, Maine where they alternately clash and pursue each other over the issue of rising taxes and God's intentions.

"Brutal Rituals" (Space & Time #100): ancient and modern cultures collide in this tale about a ritual rape. A new emperor, returning home after many years abroad, must perform the ritual--distasteful to his modernized sensibilities--or alienate his subjects.

"Untainted" (Talebones #33): a student at a spy school challenges her teacher. To protect himself, he convinces her to give up her corrupt memories and become "innocent."

"Escaping Rouen" (Gateway Science Fiction, Spring 2005): in this alternate universe, Joan of Arc meets Henry V after she has been captured by the English; King Henry must decide whether Joan should be executed. Gateway Science Fiction is defunct. "Escaping Rouen" can be read on my Fiction page.

"Impersonal" (Andromeda Spaceways #24): a secretary is forced to adopt multiple personalities when her company splits. She uses these personalities to undermine her bosses.

"Lodging" (Talebones #31): a princess marries a ruthless king to satisfy her brothers, but the ghost possessing her wants to take revenge on the king. This story appears in Tales of the Quest.

"Masquerade" (Leading Edge #47): princes competing in a quest agree to undergo a psychological ordeal. The ordeal is complicated by a saboteur and a princess disguised as a prince. This story appears in Tales of the Quest.

"Seriously" (Irreantum #5.4): a re-telling of "Gawain and the Green Knight"; in this version, the Green Knight's human foster daughter helps Gawain who is neither as pure nor as dishonorable as he is portrayed in the original poem. For Gawain and his brothers, I use the background I created for a story that I wrote in college that won an award: "Merciless."

"Nameless" (Far Sector.com, Spring/Summer 2004): a horror story about a creature that lives in a mail chute and haunts a receptionist over a letter she wishes she didn't write. Farsector.com is now defunct.

"Thin, Scarlet Line" (Irreantum #5.1): the story of Rahab and the spies from the Old Testament with the addition of a mystical Man of Chance. The Man of Chance helps Sala, a spy, find Rahab in Jericho after it is destroyed.

"Battle Tactics" (Cicada, January/February 2003): a "behind the scenes" look at the Trojan War. Odysseus, ever scheming, helps save Helen's new husband even as Troy falls by deceit. Characters from the Iliad and Aeneid appear.

"Thorns" (Dark Regions #16): Sleeping Beauty with a twist. The witch accompanies the prince to the castle where they find Sleeping Beauty murdered. Dark Regions is defunct. "Thorns" can be read under its original title---"Kicking Against the Pricks"--on my Fiction page.

"Janitor's Closet" (Marion Zimmer Bradley's Fantasy Magazine #47): a modern fairy tale in a college setting. A godmother head secretary, a princess disguised as a vacuum cleaner, and a bad fairy imprisoned in a fax machine combine to create a "Happily Ever After." The magazine stopped publishing at MZB's death. I do not know if any back issues are still available.

"Golden Hands" (Space & Time #91): a dark version of the Rumpelstiltskin fairytale. A conqueror needs money to complete his campaign. When he finds a woman who can change straw to gold, he demands her help and is then confronted by her goblin abuser. This story appears in Tales of the Quest.

"The Birthright" (Space & Time #89): a modern fairy tale set on a Maine island. An ancient curse by mermaids haunts a family. While the father dreads the curse and the mother denies it, the son wishes to covenant with the mermaids.


Just Published: As Is, A Short Story

"As Is," a short story by Katherine Woodbury, is now available on Amazon.

"As Is" is the most directly satiric of the pieces I've published so far. It also took me back to my short story writing days, which was most satisfying. 

Here is the blurb. The beginning paragraphs of the story are below:

A disillusioned college student, Ben hates dating. He is tired of the back-biting and rumor-mongering, the grievances and label-calling of his peers. A supportive relationship with a guy as laid-back as Ben seems impossible.

Nevertheless, he enters himself in the college auction. Anyone can bid for a date with Ben.

Even nonchalant Ben is surprised when an entirely unexpected bidder steps forward.

As Is

I


The news staff at Androscoggin Community College was having a debate.

Or the closest thing to one. It was the type of discussion in which each group pronounced its position without listening to any other group, then bemoaned the lack of true dialog.

The Student Council planned to hold an auction. An officer got the idea from her aunt who told her about high school auctions when she was growing up and how fun they were and what services students offered and how much money they raised.

The activists in the newsroom were upset by the debasing political implications. They threw out terms like “privilege” and “cultural imperatives” and “appropriation” and “infrastructure” until nobody knew what they were talking about—but they sounded knowledgeable and important.

The conservative religious lifestyle writers were upset because they claimed that students would buy each other for sex. And then other parties got upset with the “fundamentalists” for being so “narrow-minded” until the health-conscious students starting making noises about STDs.

The Business & Technology reporters were in a snit because the Student Council had turned down their idea for a robot combat tournament. The activists had attacked that idea for its simulations of war, etc. etc. but nobody really minded robots beating the crap out of each other. The auction ruffled more feathers or raised more hackles or triggered more outrage or something that led to a lot of strongly-held and profoundly-worded opinions.

Jill Harrison stood in the middle of the newsroom, looking shattered. She needed to write up a piece on the auction, including a list of offered services. She’d inadvertently set the debate or colloquy or whatever it was in motion by asking, “Hey, does anyone have anything to offer?”

Ben wove through the tables.

“Put me down for a date,” he told Jill. “I mean, I’m offering a date—movie and dinner.”

She gave him a relieved smile. “You know, some girls will bid for you too, Ben.”

“That’s okay. Never knew a college student who complained about being fed.”

Don stopped pontificating about Western civilization’s discriminatory practices and frowned. “You really think entering yourself in this auction is a good idea, Ben?”

Don was the kind of activist who accused the college cafeteria of “appropriating Mexican culture” when it served tacos. Ben tried to point out that tacos likely got appropriated from the Nahua population. But Don wasn’t much for the complications of history and regions. Every culture was pure unless and until Don didn’t approve of the people involved.

Corey joined the conversation. “I think you should be careful, Ben.”

Corey was “they,” which meant that Ben usually referred to Corey as Corey. People like Don foamed into attack-mode when people slipped up and called Corey “he.” The fact that everyone, including Don, automatically referred to Corey as “he” when Corey wasn’t around seemed to escape everyone’s notice except Ben’s. Luckily, Corey was less concerned with being offended than were Corey’s supporters.

Corey went on, “You don’t want to become a target.”

Lots of nods as “homophobic” and “bullying” and “uncharitable behavior” floated through the air. There was a temporary lull as everyone in the newsroom nodded sagely over the horribleness of people being jerks—until each group remembered how blind other people were to their obnoxiousness. But at least the wretchedness of life bonded them all temporarily.

Ben decided he needed to get to Conversational French twenty minutes early.